Edmondo De Amicis

Summary

Edmondo De Amicis Constantinople, v. 2 (of 2)

We learn through the same channels what the dress of the Turkish women is in the seclusion of the harem—the details of that charming costume, at once rich and fantastic, which every one has some idea of, and which lends to every woman who wears it the dignity of a princess and freedom and grace of a child. We will never see it unless the fashion should be adopted in our own country, for even should the ferajeh be some day discarded, every Turkish woman will by that time be found dressed like a European underneath.
Source: Gutenberg

Edmondo De Amicis Constantinople, v. 2 (of 2)

The mosque of Muhammad is a white and radiant St. Sophia; that of Bayezid has the pre-eminence for elegance of outline; that of Osman is built entirely of marble; the Shazadeh mosque possesses the two most exquisite minarets in Stambul; that in the Ok Serai quarter is the most charming example of the renaissance of Turkish art. The Selimiyeh is the most severe, the mosque of Mahmûd the most elaborate, the Validéh Sultan the most ornate. Each one has some peculiar beauty of its own, or else a legend or special privilege attached to it.
Source: Gutenberg

Edmondo De Amicis Constantinople, v. 2 (of 2)

The night is far advanced: each glittering star is reflected in the calm bosom of the Sea of Marmora, while the moon turns the Seraglio’s thousand domes to silver and whitens the tips of the cypress and206 plane trees. Deep shadows are cast across the open spaces below, and, one by one, the lights in all those innumerable little windows are extinguished. Mosque and kiosk rise white as snow against the dark background of the woods, and each spire and pointed minaret, aërial crescent, door of bronze, and gilded grating shines and sparkles among the trees as though part of a golden city.
Source: Gutenberg

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