Summary

R. Walsh Constantinople and the Scenery of the Seven Churches of Asia Minor

This beautiful but small imperial mosque of the reigning sultan, is situated not on a conspicuous eminence like those of his predecessors, but in the low alluvial ground on the shores of the Bosphorus, and on the water’s edge; but the beauty and finish of the edifice compensate for the defects of its site. All the skill of Oriental ornament is expended upon it. Rich lattice-work and taper spires of minarets highly gilded, glitter in the sun with a brilliancy and recency, as if they had been left just finished by the hands of the artisans
Source: Gutenberg

R. Walsh Constantinople and the Scenery of the Seven Churches of Asia Minor

The screen, which in all Greek churches, however humble, glitters with gilding and gaudy paint, is here so dark and dingy, that even in the glow of the sun, or the ever-lighted lamps, the figures are scarcely discernible; yet it is pleasing to find, even in this dim temple, a spark of Christianity is cherished, likely to beam into a clearer light. The poor papas of the church have formed a school under the roof, in which more than thirty children are instructed, and the bibles of the British and Foreign Society are introduced.
Source: Gutenberg

R. Walsh Constantinople and the Scenery of the Seven Churches of Asia Minor

Among minarets, and domes, and houses, rise cypress, terebinth, and oriental platanus, so that the whole is a forest of mingled spires and trees; among these, myriads of turtle-doves take up their abode, and they and their progeny, in surprising numbers, covering the branches and roofs, fill the air all day long with their incessant and plaintive cooing. The town is the residence of a pasha, but its edifices have little to boast of; they are mean and ragged, and travellers complain of the caravansaries, as being more comfortless and destitute than even Turkish khans.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature