Summary

Alexander Van Millingen Constantinople, painted by Warwick Goble…

Sometimes the solid earth seems transfigured by the light into a glorious spiritual essence. Early in the morning, Constantinople is often shrouded in a thick veil of mist, and, as the sun gains strength, it is beautiful to see the veil gradually rent at different points, and the objects it covered emerge, piece by piece, one by one, now here now there, a dome, a minaret, a palace, a red-tiled roof, a group of cypresses, as though a magician was constructing the city anew in your presence, until the immense capital gleams before you in its mighty proportions and minute details.
Source: Gutenberg

Alexander Van Millingen Constantinople, painted by Warwick Goble…

The beauty of the city is no longer scattered over it in patches, but is now continuous throughout its whole area, like a robe finished to the very fringe. The city is resplendent with gold and porphyry; it boasts of a new forum, named after the Emperor; it is provided with baths, porticoes, gymnasia, and what was its former extreme limit is now its centre. If Constantine could see the city he founded, he would look upon a glorious and splendid scene, not upon a bare and naked void; he would behold it fair, not with apparent, but with real, beauty.
Source: Gutenberg

Alexander Van Millingen Constantinople, painted by Warwick Goble…

Very beautiful also is the scene towards sunset, when the slopes descending to the Marmora are in shade, and the glowing vault of heaven is a canopy of glory; when the windows in the dome of S. Sophia, as the last beams of day shine through them, sparkle like jewels in a coronet, and the sea beneath seems woven of crimson, gold, and purple. Nor can one fail to recall the soft tranquil beauty of the scene when the Sea of Marmora glitters in the moonlight, and the golden waters kiss the shadows of the broken towers and battlements that watched and guarded the city in the days of old.
Source: Gutenberg

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