Summary

Portrait of Edmund Gosse Edmund Gosse Dictionary of National Biography (1901)

Although Browning was so sublime a metaphysical poet, nothing delighted him more than to listen to an accumulation of trifling (if exact) circumstances which helped to build up the life of a human being. Every man and woman whom he met was to Browning a poem in solution; some chemical condition might at any moment resolve any one of the multitude into a crystal. His optimism, his curiosity, and his clairvoyance occupied his thoughts in a remarkably objective way.
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Portrait of Edmund Gosse Edmund Gosse Dictionary of National Biography (1901)

In his last years Browning, with extreme good-nature, was willing to sit for his portrait to any one who asked him. He was once discovered in Venice, surrounded, like a model in a life-class, by a group of artistic ladies, each taking him off from a different point of view. Of these representations of Browning as an old man, the best are certainly those executed by his son, in particular a portrait painted in the summer and autumn of 1880.
Source: Wikisource

Portrait of Edmund Gosse Edmund Gosse Dictionary of National Biography (1901)

Odd as it sounds to say so, these faults seem to have been the result of too facile a mode of composition. Perhaps no poet of equal importance has written so fluently and corrected so little as Browning did. On the other hand, in defence, it must be said that it is always, or nearly always, possible to penetrate Browning's obscurity, and to find excellent thought hidden in the cloud, and that time and familiarity have already made a great deal perfectly translucent which at one time seemed impenetrable even to the most respectful and intelligent reader.
Source: Wikisource

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