Summary

Edmund William Gosse Encyclopædia Britannica, Ninth Edition…

The charm and solemn beauty of the style, however, are irresistible, and we are constrained to listen and revere as if we were the auditors of some fugual music devised in honour of a primal and long-buried deity. The melodies of this earliest Icelandic verse, elaborate in their extreme and severe simplicity, are wholly rhythmical and alliterative, and return upon themselves like a solemn incantation. Hávamál, the Sayings of the High One, or Odin, follows next; this contains proverbs and wise saws, and a series of stories, some of them comical, told by Odin against himself.
Source: Wikisource

Edmund William Gosse Encyclopædia Britannica, Ninth Edition…

Suffice to say that in no modernized or Germanized form does the legend attain such an exquisite colouring of heroic poetry as in these earliest fragments of Icelandic song. A very curious poem, in some MSS. attributed directly to Sæmund, is the Lay of the Sun, Sólarlióð, which forms a kind of appendix to the poetic Edda. In this the spirit of a dead father addresses his living son, and exhorts him, with maxims that resemble those of Hávamál, to righteousness of life.
Source: Wikisource

Edmund William Gosse Encyclopædia Britannica, Ninth Edition…

Sæmund Sigfusson, who was thus credited with the collection of these poems, was a scion of the royal house of Norway, and lived from about 1055 to 1132 in Iceland. The poems themselves date in all probability from the 8th or 9th centuries, and are many of them only fragments of longer heroic chants now otherwise entirely lost. They treat of mythical and religious legends of an early Scandinavian civilization, and are composed in the simplest and most archaic forms of Icelandic verse.
Source: Wikisource

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