Summary

Portrait of Edward A. Freeman Edward A. Freeman Sketches from the Subject and Neighbour Lands of Venice

Italian is the tongue of the citizens of Gorizia whose shops are sheltered by its street arcades. Slavonic, we conceive, will some day be the tongue of the little children who, in all the joy of a state of nature, as naked as any other mammals, creep, as merrily though more slowly than the lizards, over the grass and stones of the castle-hill of Gorici. Anyhow Gorizia is, like Palermo of old, the city of the threefold tongue. But the place itself is, considering its history, a little disappointing. Nothing indeed is lacking in the way of position.
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman Sketches from the Subject and Neighbour Lands of Venice

It is the rule of the Turk, it is the effect of his four hundred years of oppression, which makes Trebinje to differ alike from Tzetinje and from Cattaro. The dark, dingy, narrow, streets, the dim arches and vaults, the bazaar, with the Turk—more truly the renegade Slave—squatting in his shop, the gate with its Arabic inscription, the mosques with their minarets contrasting with the church with its disused campanile, all come home to us with a feeling not only of mere strangeness, but of something which is where it ought not to be.
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman Sketches from the Subject and Neighbour Lands of Venice

As we pass by and look on the city—no city surely fronts the sea more proudly than Ragusa—as we turn round to the island of La Croma, lying off what was Ragusa's harbour, the island which suggests the names of Richard of Poitou and of Maximilian of Mexico—the scene is so peaceful and lovely, the warlike defences look such mere things of the past, that it is hard indeed to believe that, just beyond the mountain barrier, warfare is going on in its bitterest and yet its noblest form—the struggle of an oppressed people to cast off the yoke of ages.
Source: Gutenberg

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