“ Why gaze ye not, Xarifa, with all the gazing town? Hear, hear the trumpet how it swells, and how the people cry! He stops at Zara's palace gate--why sit ye still--oh, why?" "At Zara's gate stops Zara's mate; in him shall I discover The dark-eyed youth pledged me his truth with tears, and was my lover? I will not rise, with dreary eyes, nor lay my cushion down, To gaze on false Andalla with all the gazing town!"ZARA'S EAR-RINGS "My ear-rings! my ear-rings! they've dropped into the well, And what to say to Muça, I cannot, cannot tell." ”
Zara
Definition and stakes
The literary concept of Zara encompasses a multifaceted figure appearing across 19th- and early 20th-century fiction, often embodying emotional depth and cultural significance. Authors such as Ross Beeckman depict her as a princess marked by delicate charm and inner conflict, while Marie Corelli portrays her as a mysterious presence wrapped in emotional defenses.
Henry Handel Richardson, in contrast, frames Zara as a fanciful, almost otherworldly character moving through the spectacle of society. These varied portrayals—ranging from fervent captives to fanciful figures—reflect Zara’s versatility as a symbol of longing, solitude, and the dynamic between personal and social identity. The theme’s richness lies in its ability to echo a wide spectrum of human experiences through a single, evocative name.
Quotes about “Zara”
Henry Handel Richardson, Australia Felix
“ Zara swam and glided about the streets, to the hilarious amazement of the population; floated feather-light, billowing here, depressing there, with all the waywardness of a child's balloon; supported—or so it seemed—by two of the tiniest feet ever bestowed on mortal woman. Aha! but that was one of the chief merits of "the hoops," declared Zara; that, and the possibility of getting still more stuff into your skirts without materially increasing their weight. There was something in that, conceded Polly, who often felt hers drag heavy. ”
“ Add to this the personality of the Princess Zara, her half hesitating smile of welcome in which pleasure and dread were equally mingled; suffuse her face with a quick blush, and instantly replace it with a touch of pallor; render her manner with a suggestion of hauteur, softened by a gesture of timidity and doubt; listen to her voice, low-toned and infinitely calm yet vibrating in a minor chord of uncertainty and dread; feel the clasp of her hand, cold when it touches yours, yet instantly thrilling you with a glow induced by the contact, and—remain thoroughly master of yourself if you can. ”
