“ Duncan was too greatly amazed for connected thought, but he was conscious of the fact that Morton's eyes sought him over the shoulder of Patricia, who knelt beside the couch. He had never thought that Morton's eyes were quite so expressive. They seemed almost to speak to him, to wonder at his presence there; but, stranger than all else, to express unquestionable pleasure because of his presence. He thought it remarkable that Morton did not move; that the man made no effort to rise, or to speak; that there was neither smile nor frown upon his white, still face. ”
Ross Beeckman
Biographical details
Ross Beeckman, a 20th-century author renowned for his psychological insight and dramatic intensity, delved into themes of love, moral struggle, and existential change in his novels. His landmark works, Princess Zara and The Last Woman, investigate the tension between personal aspirations and societal expectations, as reflected in quotes that portray characters confronting nihilism, arrogance, and atonement.
Beeckman’s stories, layered with emotional complexity, highlight an interest in human frailty and the outcomes of moral decisions, establishing him as a writer who carefully interlaced personal and communal challenges into his narratives.
Quotes by Ross Beeckman
“ Nihilism and the cause it upholds, has sunk into utter insignificance, and has become a mere point in the history of my life, like a punctuating period that is placed at the end of a written sentence. Nihilists, great and small, have become mere atoms in the mystery of creation, and they can have no further influence upon my life. The czar of all the Russias is no more a personage to me now, than the merest black dwarf of central Africa, and Russia itself has diminuated to a mere island in the sea of eternity, a speck on the map of the infinite creation. ”
“ Weeks afterward, when we were on the deck of the steamer that was taking us to my own country, as we stood together, overlooking a moonlit sea, she reached up, and with one of her soft, fair hands, turned my face towards hers with a gesture that was characteristic; and I loved it. "Dubravnik," she said—she still insists that she will always address me so, because it is the name by which she first knew me—"I do not know myself, any more. I am not the same woman who was once so vengeful. Love has taught me how to forgive. Love has made me over again. I am no longer the same Zara." ”
