“ As David came into the street, his masterful bearing fell from him like a loosened garment. There was no disbelieving the prideful revelation of Lillian Drew—and as he walked on he found himself breathing, "Thank God for Philip's death!" Had Philip lived, with that woman dangling him at the precipitous edge of exposure, life would have been only misery and fear—and sooner or later she would have given him a push and over he would have gone. Death comes too late to some men for their best fame, and to some too early. To Philip Morton it had come in the nick of time. ”
Leroy Scott
Biographical details
Leroy Scott (1875–1929), an American writer and social activist, examined themes of labor conflict, moral complexity, and societal disparity across his novels and screenplays. Born in Indiana and influenced by his work at Chicago’s Hull House, Scott’s fiction—such as The Walking Delegate (1905) and Counsel for the Defense (1912)—reflects his dedication to revealing systemic injustice.
His extensive body of work, spanning over two decades, combines incisive social commentary with narrative suspense, while his participation in early Hollywood, including Partners of the Night (1916), highlights his adaptability. Scott’s legacy persists through works that merge literary craftsmanship with the progressive values of his time.
Quotes by Leroy Scott
Leroy Scott,
Counsel for the Defense
“ For a space Katherine stood alone, gazing down upon Blake’s bowed and silent figure. Now that it was all over, now that his allies had all deserted him, to see this man whom she had known as so proud, so strong, so admired, with such a boundless future—who had once been her own ideal of a great man—who had once declared himself her lover—to see this man now brought so low, stirred in her a strange emotion, in which there was something of pity, something of sympathy, and a tugging remembrance of the love he long ago had offered. ”
Leroy Scott,
The shears of destiny
(1909)
“ A DESPERATE PLAN THE death silence that broods over the sombre dungeons of Peter and Paul brooded also over the library of Sabatoff. Drexel and the Keeper of the Seals sat looking each at the other’s drawn face, or paced the room with frantic strides, now and then glancing at the cold impassive clock whose ticking seemed the relentless footsteps of the approaching hour when Sonya and Borodin must mount the scaffold. They had nothing to say to each other. They could do nothing. ”
