Summary

Portrait of Leroy Scott Leroy Scott Partners Of The Night — VI. The Pride of Mary Regan (1916)

Crouched with Mary beneath one of the windows, Clifford heard voices within: the even, well modulated tones of Morgan, the gruffly resonant bass of Bradley. Clifford's conscious senses were all strained to catch the faintest word; but at the same time, a part of him rejoiced over this marvelous opportunity. Most successful detective work is careful, thoughtful, patient, sometimes dull, routine--just routine, and nothing more. But now and again, through what seems sheer good luck, the key, the very heart, the entire substance, of a case is laid in the police official's hands.
Source: Wikisource

Portrait of Leroy Scott Leroy Scott Partners Of The Night — VI. The Pride of Mary Regan (1916)

With Mary leading the way, they crept through the tall, clinging weeds of what some bankrupt enthusiast had dreamed would be priceless building lots, until they neared a small square of blackness several tones deeper than the blackness of the night--and Clifford knew that they had reached the temporary office of what was to have been the exclusive suburb of Pine Crest Manor.
Source: Wikisource

Portrait of Leroy Scott Leroy Scott Partners Of The Night — VI. The Pride of Mary Regan (1916)

The big limousine shot forward again, Clifford still at his discreet distance, and kept its tacking course toward the north and east. Clifford figured excitedly what the destination of the pair ahead might be--whether they were going to meet others in conference, and how he might manage to be an unseen auditor to the gigantic conference he now knew to be under way--when Morgan's car turned into that splendid highway which, leaving Manhattan over the Fifty-ninth Street Bridge, permeates with its innumerable arteries of polished macadam the far eastern reaches of Long Island.
Source: Wikisource

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