Edward Bruce Hamley,
Voltaire — THE DEATH OF CÆSAR
(1877)
“ For the most part, its plot runs parallel to that of Shakespeare; only Voltaire, according to his principle of admitting nothing into tragedy which is not elevated above common life, gives us none of those scenes between citizens, and none of those sentiments of the mob, which lend so much of life and reality to the English play, and he omits, too, the softening elements supplied by Portia and Calphurnia. On the other hand, he introduces a new and strong point in making Brutus the son of Cæsar. ”
