Edward Bulwer-Lytton

Edward Bulwer-Lytton

Summary

Portrait of Edward Bulwer-Lytton Edward Bulwer-Lytton Vril: The Power of the Coming Race… (1871)

My eyes opened upon a group of silent forms, seated around me in the gravity and quietude of Orientals—all more or less like the first stranger; the same mantling wings, the same fashion of garment, the same sphinx-like faces, with the deep dark eyes and red man's colour; above all, the same type of race—race akin to man's, but infinitely stronger of form and grandeur of aspect—and inspiring the same unutterable feeling of dread. Yet each countenance was mild and tranquil, and even kindly in expression.
Source: Wikisource

Portrait of Edward Bulwer-Lytton Edward Bulwer-Lytton Vril: The Power of the Coming Race… (1871)

We entered an immense hall, lighted by the same kind of lustre as in the scene without, but diffusing a fragrant odour. The floor was in large tesselated blocks of precious metals, and partly covered with a sort of matlike carpeting. A strain of low music, above and around, undulated as if from invisible instruments, seeming to belong naturally to the place, just as the sound of murmuring waters belongs to a rocky landscape, or the warble of birds to vernal groves.
A figure in a simpler garb than that of my guide, but of similar fashion, was standing motionless near the threshold.
Source: Wikisource

Portrait of Edward Bulwer-Lytton Edward Bulwer-Lytton Vril: The Power of the Coming Race… (1871)

Quitting this hall, my guide led me through a gallery richly painted in compartments, with a barbaric mixture of gold in the colours, like pictures by Louis Cranach. The subjects described on these walls appeared to my glance as intended to illustrate events in the history of the race amidst which I was admitted. In all there were figures, most of them like the manlike creatures I had seen, but not all in the same fashion of garb, nor all with wings. There were also the effigies of various animals and birds, wholly strange to me, with backgrounds depicting landscapes or buildings.
Source: Wikisource

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