Edward Verrall Lucas

Edward Verrall Lucas

Summary

Portrait of Edward Verrall Lucas Edward Verrall Lucas Dictionary of National Biography (1901)

The native acuteness and ingenuity of his intellect led him to devote much attention to formal logic, in whose intricate puzzles he delighted, and he almost seemed to have convinced himself that it was an engine for the discovery of new truth, instead of a means of detecting error that more could be got out of the premisses than was put into them.
Source: Wikisource

Portrait of Edward Verrall Lucas Edward Verrall Lucas Dictionary of National Biography (1901)

There is also no doubt that the dictates of a conscience which was perhaps over exacting for daily life were obeyed too closely for him to be companionable to ordinary adult persons. He made, however, acquaintance with eminent men among them Ruskin, Tennyson, Millais, and Rossetti of whom he has left valuable photographs, amateur photography having been successfully practised by him almost from boyhood.
Dodgson went to Russia with Dr. Liddon in 1867, and visited London and its theatres periodically ; but he remained essentially an Oxford man to the very last.
Source: Wikisource

Portrait of Edward Verrall Lucas Edward Verrall Lucas Dictionary of National Biography (1901)

Dodgson's next notable experiment in his nonsense vein was 'The Hunting of the Snark,' 1876, a bewildering story in verse, technically as brilliant as anything its author wrote, the meaning of which, however, still defies students. The theory that it is an allegory of the pursuit of fame has perhaps most favour. Not until 1889 did 'Sylvie and Bruno,' Dodgson's next book for children, appear, to be followed in 1893 by 'Sylvie and Bruno Concluded.' This story cannot be called successful.
Source: Wikisource

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