Summary

Elizabeth G. Jordan Tales of the Cloister — Her Audience of Two (1901)

Somewhere in the great city outside the silent convent Madame Holstein was singing—singing to thousands of music lovers. She would have a great triumph, no doubt; the brilliant audience would call her out again and again, as those in the East had done. The wonder of it, the glory of it, that one human voice could sway so many!
Yet, somehow, the picture the nun took with her when she at last fell asleep was not the radiant figure of the great artist smiling her thanks before the curtain, nor the grandly maternal figure of Fidès.
Source: Wikisource

Elizabeth G. Jordan Tales of the Cloister — Her Audience of Two (1901)

Outside, the storm, gaining hourly in fury, hurled great masses of snow against the window-panes. The short winter afternoon was coming to an end, and heavy shadows were already forming in the corners of the music-room. The great singer sang on, adapting her selections to the silent auditor before her; and the nun listened with no thought of time or place or person, with consciousness of nothing in the world except the marvellous art, the glorious voice of the woman, this idol of thousands, who had turned from them all for a little time to sing to her alone.
Source: Wikisource

Elizabeth G. Jordan Tales of the Cloister — Her Audience of Two (1901)

She was responding to a unique inspiration, and in this bare convent room, with a black-veiled nun held in absolute possession by her voice, she gave herself to her singing with no husbanding of force. It was a new and thrilling triumph. Little Ernestine was placidly sleeping in her corner, but her one listener was affording the famous singer such appreciation as she never had from audience before. She could feel the soul of the woman set apart from the world quiver under the tones with which she charged it.
Source: Wikisource

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