Elizabeth G. Jordan, Tales of the Cloister — Her Audience of Two (1901)
“ Somewhere in the great city outside the silent convent Madame Holstein was singing—singing to thousands of music lovers. She would have a great triumph, no doubt; the brilliant audience would call her out again and again, as those in the East had done. The wonder of it, the glory of it, that one human voice could sway so many! Yet, somehow, the picture the nun took with her when she at last fell asleep was not the radiant figure of the great artist smiling her thanks before the curtain, nor the grandly maternal figure of Fidès. ”
