Summary

Portrait of Jaroslav Egon Salaba-Vojan Jaroslav Egon Salaba-Vojan Bohemia; a brief evaluation of Bohemia's contribution to civilization… (1917)

The first performance of “The Bartered Bride” at the Metropolitan Opera House in New York on February 19, 1909, was a great triumph. “New York Herald” wrote next morning: “Smetana has been called “the Bohemian Mozart”, which is very apt, for this music is classic in its gayety and its light-hearted charm. It is simply melody from beginning to end. One pretty tune succeeds another—it is a treasure of purling tunefulness that will occupy a prominent place in the repertoire of the opera house.”
Source: Wikisource

Portrait of Jaroslav Egon Salaba-Vojan Jaroslav Egon Salaba-Vojan Bohemia; a brief evaluation of Bohemia's contribution to civilization… (1917)

Bedřich Smetana. comes. Conversation with me is impossible. I hear my own piano-forte playing only in fancy, not in reality. I cannot hear the playing of anybody else, not even the performance of a full orchestra in opera or in concert. I have no pain in the ear, and the physicians agree that my disease is perhaps a paralysis of the ear nerves and the labyrinth. And so I am wholly determined to endure my sad fate in a calm and manly way as long as I live.” Yet Smetana was destined to endure a trial worse than that which he had made up his mind to bear with patient courage.
Source: Wikisource

Portrait of Jaroslav Egon Salaba-Vojan Jaroslav Egon Salaba-Vojan Bohemia; a brief evaluation of Bohemia's contribution to civilization… (1917)

A wizard, because he created the modern Bohemian music without any predecessors and put it at once on the level of the most modern music of his time. In the days he studied with Liszt at Weimar, Prague was still under the spell of Mozart whose epigon Tomášek was an absolute ruler in the musical life of Prague; later Verdi and Meyerbeer became idols of Prague musicians. Smetana found the way to connect Beethoven and Wagner with the character of the music of his nation, and so arouse his absolutely original style which is a confluence of modernism and the spirit of the Bohemian folk music.
Source: Wikisource

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