Paul Leopold Rosenfeld

The Dial (1923)

Summary

Paul Leopold Rosenfeld,  The Dial (1923)

“ Except for some moments, mostly in the final fire-music, when vague resemblances to Moussorgsky and to Bloch appear, the music is never reminiscent. It merely wants that final sharpness of contour which the musics written by composers in the fulness of their maturity beget. But taking into consideration the youth of the composer, we see that it could not possibly have put in appearance at this early time. It is thoroughly normal, even by the laws of genius, that it should have absented itself. ”
Source: Wikisource

Paul Leopold Rosenfeld,  The Dial (1923)

“ The concert people do not make music with what they live outside the concert hall. That, never enters it. A vital criticism, however, would stomach no such shadowy music. It would demand a whole of life for the concert room. The critic no less than the performer is the champion of values. If the performer brings the meat to market, the critic sees to it that the meat is fresh. It is his work to insist that the standards of life remain undegraded. But the critic, to have a sense of values, must bring his sensibility with him into the hall ”
Source: Wikisource

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