Paul Leopold Rosenfeld, The Dial (1923)
“ Except for some moments, mostly in the final fire-music, when vague resemblances to Moussorgsky and to Bloch appear, the music is never reminiscent. It merely wants that final sharpness of contour which the musics written by composers in the fulness of their maturity beget. But taking into consideration the youth of the composer, we see that it could not possibly have put in appearance at this early time. It is thoroughly normal, even by the laws of genius, that it should have absented itself. ”
