Ladislav Urban

Summary

Ladislav Urban The Music of Bohemia (1919)

THE ORIGINAL FOLK-TUNE
It is no wonder that the richness of folk-art was overestimated in Bohemia at the beginning of the last century, and led to an error. Folk-art was confused with nationality in art. A false principle was constructed that "national art" must be based upon folk-music. [6] Thus the imitation of folk-poetry and folk-melodies was approved as the real national art. It is astonishing how long this principle, violating the natural law of progress, could endure. All works of this feverish would-be-national period belong to history. They live no more, being but imitations.
Source: Wikisource

Ladislav Urban The Music of Bohemia (1919)

Particular attention was paid during this period to everything that had originality and the essence of Czech culture. Music and literature had only one source—the folk-song. It was the "common" people who in the period of darkness under the feudal system had preserved their mother tongue in the unwritten folk-poetry with its unwritten tunes. It is not necessary for one to be educated in music or in literature, if his mind is emotional enough and his mouth and throat able to produce a musical sound
Source: Wikisource

Ladislav Urban The Music of Bohemia (1919)

This aim the Jesuits accomplished by manufacturing new tunes and texts and by taking over for church use many of the secular Czech folk-songs. We find in the Catholic songbooks in Bohemia, songs in which a folk-tune with the folk-poetry were fitted for use in the church by changing a lover's name to that of a saint.
The so-called counter-reformation under the Jesuits was too unpopular among the Czechs to lead to the production of original spontaneous songs among the people; but at the same time there began the development of Bohemian classical music as a part of the European classical period.
Source: Wikisource

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