Ladislav Urban

Biographical details

Ladislav Urban,  The Music of Bohemia — Part II

“ And as a man cannot escape from his own people and his own time, so he cannot escape from all peoples and all times. The greater the artist, the more he expresses the life of all mankind, the more he becomes the universal artist; and strangely enough, the more he becomes the pride of his nation. The world speaks of his work as the representative art of his nation, and discovers in it something that we call "nationality." In this sense Smetana is the founder of a style which is called "Czech national music." ”
Source: Wikisource

Ladislav Urban,  The Music of Bohemia (1919)

“ THE ORIGINAL FOLK-TUNE
It is no wonder that the richness of folk-art was overestimated in Bohemia at the beginning of the last century, and led to an error. Folk-art was confused with nationality in art. A false principle was constructed that "national art" must be based upon folk-music. [6] Thus the imitation of folk-poetry and folk-melodies was approved as the real national art. It is astonishing how long this principle, violating the natural law of progress, could endure. All works of this feverish would-be-national period belong to history. They live no more, being but imitations.
”
Source: Wikisource

Ladislav Urban,  The Music of Bohemia — Part II

“ Why Bohemian music or Czech music or Slovak music or Czechoslovak music? Does there exist any nationality in music?
Every nation, with its mother-tongue, its peculiar customs, its distinct mode of life, varies more or less in form of culture from all other nations. The differences of geographical positions, racial inclinations, and inborn temper influence all departments of life—even Art. "No man can quite emancipate himself from his age and country or produce a model in which the education, the religion, the politics, usages, and arts of his times shall have no share.
”
Source: Wikisource

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