Summary

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — At the Close of the Second Day (1898)

She would do a spiritual work of mercy—comfort the lonely. His eyes were bent on the bill of fare and he was giving his order to the waiter with the seriousness which the importance of the occasion demanded. She took advantage of the opportunity to study his face. It was a handsome face—beautiful, she decided, because there was soul in it. His complexion, though dark, was very clear, and the gray eyes, beneath their long lashes, had an almost boyish frankness. They looked up at her as the waiter departed, and his white teeth flashed in a quick response to the faint smile he saw on her lips.
Source: Wikisource

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — At the Close of the Second Day (1898)

Its small window overlooked the garden of a German neighbor who had cultivated, in his ten by twelve expanse of ground, a riot of blooming sweet peas, scarlet geraniums, and sturdy vines that reached out over the adjoining walls in most friendly fashion. Busy bees had found the little honey mart in the heart of the big city, and their buzzing, as they worked among the flowers, added the final touch to the homely charm of the place.
Source: Wikisource

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — At the Close of the Second Day (1898)

Your face, as I passed you, looked very much as I felt. I took the liberty of following you and speaking to you like a beggar asking alms. Won't you give me the pleasure of your company for an hour or two over our dinner?"
It was all wrong, conventionally wrong. Miss Imboden was acutely conscious of that. But the river would be all wrong, too, and surely this gnawing hunger, this faintness, this queer feeling in her head were wrong as well. Better dinner with a stranger than the river by herself. She would accept his invitation, yes, but under no false pretences.
Source: Wikisource

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