Summary

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — The Love Affair of Chesterfield… (1898)

Being wise beyond his years, Chesterfield mentioned to no one his admiration for "The Searchlight's" leading woman artist. He merely changed his theories regarding the ideal of feminine beauty, reconstructing them on the lines of the perfect realization daily resented to him. Thus, his sister, a "sales lady" in a Sixth Avenue shop, was surprised by an urgent request from her brother to wear her hair "parted down the middle and slicked on the sides," this being Chesterfield's description of Miss Neville's severely simple coiffure.
Source: Wikisource

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — The Love Affair of Chesterfield… (1898)

From the anteroom in which young Chesterfield sat, doors led to the respective rooms of the managing editor, the city editor, the Sunday editor, and the editor of the humorous supplement. During the warm days of summer these doors were usually open, the slight figure of the youthful sentinel being regarded as a wholly sufficient barrier between visitors and their editorial goal.
Source: Wikisource

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — The Love Affair of Chesterfield… (1898)

Kelly looked up with an apolegetic smile.
"Yes, it was," he said, "and we owe you an apology, Davidson. We found a nasty little joke about 'The Searchlight' on my desk and thought you had written it and all that 'Funmaker' stuff. Marbury was hot about it, and there was a heap of trouble ahead of you, when this little rat [indicating Chesterfield] comes and owns up to it because he heard us talking about it as yours. He slipped it into the stuff on my desk." He turned to the boy with sudden suspicion. "How did you get it typewritten?" he asked.
Source: Wikisource

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