Summary

Portrait of Elizabeth Gaskell Elizabeth Gaskell Wives and Daughters — Chapter XIX: Cynthia's Arrival (1865)

Cynthia was very beautiful, and was so well aware of this fact that she had forgotten to care about it; no one with such loveliness ever appeared so little conscious of it. Molly would watch her perpetually as she moved about the room, with the free stately step of some wild animal of the forest—moving almost, as it were, to the continual sound of music. Her dress, too, though now to our ideas it would be considered ugly and disfiguring, was suited to her complexion and figure, and the fashion of it subdued within due bounds by her exquisite taste.
Source: Wikisource

Portrait of Elizabeth Gaskell Elizabeth Gaskell Wives and Daughters — Chapter XIX: Cynthia's Arrival (1865)

Molly had allowed her fancy to dwell much on the idea of Cynthia's coming; and in the short time since they had met, Cynthia's unconscious power of fascination had been exercised upon her. Some people have this power. Of course, its effects are only manifested in the susceptible. A school-girl may be found in every school who attracts and influences all the others, not by her virtues, nor her beauty, nor her sweetness, nor her cleverness, but by something that can neither be described nor reasoned upon.
Source: Wikisource

Portrait of Elizabeth Gaskell Elizabeth Gaskell Wives and Daughters — Chapter XIX: Cynthia's Arrival (1865)

As yet no one but the ladies of Hollingford and Mr Ashton, the vicar—that hopeless and impracticable old bachelor—had seen Cynthia; and what was the good of having a lovely daughter, if there were none but old women to admire her?
Cynthia herself appeared extremely indifferent upon the subject, and took very little notice of her mother's constant talk about the gaieties that were possible, and the gaieties that were impossible, in Hollingford. She exerted herself just as much to charm the two Miss Brownings as she would have done to delight Osborne Hamley, or any other young heir.
Source: Wikisource

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