Elizabeth, Lady Eastlake, 1911 Encyclopædia Britannica, Volume 11… (1911)
“ In Rome he first became acquainted with rules and technicalities, in which the merest tyro was before him. Canova introduced him into the Academy supported by Austria, and, as is natural with a mind like Gibson’s, the first sense of his deficiencies in common matters of practice was depressing to him. He saw Italian youths already excelling, as they all do, in the drawing of the figure. But the tables were soon turned. His first work in marble—a “Sleeping Shepherd” modelled from a beautiful Italian boy—has qualities of the highest order. ”
