John Ellingwood Donnell Trask

Summary

John Ellingwood Donnell Trask Charles Grafly, Sculptor: An Appreciative Note (1910)

Artistic independence will help our condition and will come, no doubt, with increase of general culture, but independence alone still leaves the sculptor impotent if he remain without a thorough training in his craft. Let us be thankful, then, for the growing respect accorded the uncompromising artist, and doubly thankful for the recognition, which now seems imminent both within and without the profession, of the fact that artistry without craftsmanship is dumb.
Of American sculptors living today none is more completely master of his medium than is Charles Grafly.
Source: Wikisource

John Ellingwood Donnell Trask Charles Grafly, Sculptor: An Appreciative Note (1910)

That the language of sculpture is not more widely understood or at least recognized, in America today, is largely the fault of American sculptors.
Too often have they clouded the expression of form with a semi-literary aspect or, as is the case with him whom we hold in reverent memory as our greatest sculptor, mixed with plastic ideals, certain pictorial qualities which, however beautiful, destroy in a measure, forceful unity of impression and tend to confusion of mind.
Source: Wikisource

John Ellingwood Donnell Trask Charles Grafly, Sculptor: An Appreciative Note (1910)

The conditions of today continuing, it is logically certain that art will achieve higher and purer expressions in the near future.
In sculpture we see already the beginnings of our second period. How high its flight who can foretell? Certain it is, however, that in marking the steps, by which, in America, we have toiled upward toward the heights illumined by the pure flame of Phidias twenty-four centuries ago, the faithful historian of tomorrow will give high placing to Charles Grafly, teacher and leader, an artist, and master of his craft.
Source: Wikisource

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