Emily Dickinson

“ Storm, wind, the wild March sky, sunsets and dawns; the birds and bees, butterflies and flowers of her garden, with a few trusted human friends, were sufficient companionship. The coming of the first robin was a jubilee beyond crowning of monarch or birthday of pope; the first red leaf hurrying through "the altered air," an epoch. Immortality was close about her ”

“ In Emily Dickinson's exacting hands, the especial, intrinsic fitness of a particular order of words might not be sacrificed to anything virtually extrinsic; and her verses all show a strange cadence of inner rhythmical music. Lines are always daringly constructed, and the "thought-rhyme" appears frequently,—appealing, indeed, to an unrecognized sense more elusive than hearing. ”

“ I had been hungry all the years;
My noon had come, to dine;
I, trembling, drew the table near,
And touched the curious wine.
'T was this on tables I had seen,
When turning, hungry, lone,
I looked in windows, for the wealth
I could not hope to own.
I did not know the ample bread,
'T was so unlike the crumb
The birds and I had often shared
In Nature's dining-room.
The plenty hurt me, 't was so new, —
Myself felt ill and odd,
As berry of a mountain bush
Transplanted to the road.
Nor was I hungry; so I found
That hunger was a way
Of persons outside windows,
The entering takes away. ”

“ Our journey had advanced;
Our feet were almost come
To that odd fork in Being's road,
Eternity by term. ”

“ PREFACE The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. ”

“ And while, as one critic has said, she may exhibit toward God "an Emersonian self-possession," it was because she looked upon all life with a candor as unprejudiced as it is rare.
She had tried society and the world, and found them lacking. She was not an invalid, and she lived in seclusion from no love-disappointment. Her life was the normal blossoming of a nature introspective to a high degree, whose best thought could not exist in pretence. ”

“ I many times thought peace had come,
When peace was far away;
As wrecked men deem they sight the land
At centre of the sea,
And struggle slacker, but to prove,
As hopelessly as I,
How many the fictitious shores
Before the harbor lie. ”

“ The soul unto itself
Is an imperial friend, —
Or the most agonizing spy
An enemy could send.
Secure against its own,
No treason it can fear;
Itself its sovereign, of itself
The soul should stand in awe. ”

“ Emily Dickinson appears to have written her first poems in the winter of 1862. In a letter to one of the present Editors the April following, she says, "I made no verse, but one or two, until this winter."
The handwriting was at first somewhat like the delicate, running Italian hand of our elder gentlewomen; but as she advanced in breadth of thought, it grew bolder and more abrupt, until in her latest years each letter stood distinct and separate from its fellows. ”

“ Whose fingers string the stalactite,
Who counts the wampum of the night,
To see that none is due? ”

“ Far ends of tired days;
It half endears the abstinence,
And pain is missed in praise.
As flavors cheer retarded guests
With banquetings to be,
So spices stimulate the time
Till my small library.
It may be wilderness without,
Far feet of failing men,
But holiday excludes the night,
And it is bells within.
I thank these kinsmen of the shelf; ”

“ I held a jewel in my fingers
And went to sleep.
The day was warm, and winds were prosy;
I said: "'T will keep."
I woke and chid my honest fingers, —
The gem was gone;
And now an amethyst remembrance
Is all I own. ”

“ Remorse is memory awake,
Her companies astir, —
A presence of departed acts
At window and at door.
It's past set down before the soul,
And lighted with a match,
Perusal to facilitate
Of its condensed despatch.
Remorse is cureless, — the disease
Not even God can heal;
For 't is his institution, —
The complement of hell. ”

“ The sun just touched the morning;
The morning, happy thing,
Supposed that he had come to dwell,
And life would be all spring. ”

“ Mine enemy is growing old, —
I have at last revenge.
The palate of the hate departs;
If any would avenge, —
Let him be quick, the viand flits,
It is a faded meat.
Anger as soon as fed is dead;
'T is starving makes it fat. ”

“ They dropped like flakes, they dropped like stars,
Like petals from a rose,
When suddenly across the June
A wind with fingers goes.
They perished in the seamless grass, —
No eye could find the place;
But God on his repealless list
Can summon every face. ”

“ In lands I never saw, they say,
Immortal Alps look down,
Whose bonnets touch the firmament,
Whose sandals touch the town, —
Meek at whose everlasting feet
A myriad daisies play.
Which, sir, are you, and which am I,
Upon an August day? ”

“ And so, upon this wise I prayed, —
Great Spirit, give to me
A heaven not so large as yours,
But large enough for me. ”

“ A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.
And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass. ”

“ How happy is the little stone
That rambles in the road alone,
And does n't care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity. ”

“ The mountain at a given distance
In amber lies;
Approached, the amber flits a little, —
And that 's the skies! ”

“ I took my power in my hand.
And went against the world;
'T was not so much as David had,
But I was twice as bold.
I aimed my pebble, but myself
Was all the one that fell.
Was it Goliath was too large,
Or only I too small? ”

“ I never hear the word "escape"
Without a quicker blood,
A sudden expectation,
A flying attitude.
I never hear of prisons broad
By soldiers battered down,
But I tug childish at my bars, —
Only to fail again! ”

“ A death-blow is a life-blow to some
Who, till they died, did not alive become;
Who, had they lived, had died, but when
They died, vitality begun. ”

“ To the same pageant wends its way
As that exalted here. ”

“ The variation of readings, with the fact that she often wrote in pencil and not always clearly, have at times thrown a good deal of responsibility upon her Editors. But all interference not absolutely inevitable has been avoided. The very roughness of her rendering is part of herself, and not lightly to be touched; for it seems in many cases that she intentionally avoided the smoother and more usual rhymes.
Like impressionist pictures, or Wagner's rugged music, the very absence of conventional form challenges attention. ”

“ I had no cause to be awake,
My best was gone to sleep,
And morn a new politeness took,
And failed to wake them up,
But called the others clear,
And passed their curtains by.
Sweet morning, when I over-sleep,
Knock, recollect, for me!
I looked at sunrise once,
And then I looked at them,
And wishfulness in me arose
For circumstance the same.
'T was such an ample peace,
It could not hold a sigh, —
'T was Sabbath with the bells divorced,
'T was sunset all the day.
So choosing but a gown
And taking but a prayer,
The only raiment I should need,
I struggled, and was there. ”

“ Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard; ”

“ I'm nobody! Who are you?
Are you nobody, too?
Then there 's a pair of us — don't tell!
They 'd banish us, you know. ”

“ A charm invests a face
Imperfectly beheld, —
The lady dare not lift her veil
For fear it be dispelled.
But peers beyond her mesh,
And wishes, and denies, —
Lest interview annul a want
That image satisfies. ”

“ Who are you?
Are you nobody, too?
Then there 's a pair of us — don't tell! ”

“ For you know we do not mind our dress
When we are going home. ”

“ Without important exception, her friends have generously placed at the disposal of the Editors any poems they had received from her; and these have given the obvious advantage of comparison among several renderings of the same verse.
To what further rigorous pruning her verses would have been subjected had she published them herself, we cannot know. They should be regarded in many cases as merely the first strong and suggestive sketches of an artist, intended to be embodied at some time in the finished picture. ”

“ Grant me, O Lord, a sunny mind,
Thy windy will to bear! ”

“ One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place. ”

“ Did the harebell loose her girdle
To the lover bee,
Would the bee the harebell hallow
Much as formerly? ”

“ In it wait till judgment break
Excellent and fair. ”

“ In most of her poems, particularly the later ones, everything by way of punctuation was discarded, except numerous dashes; and all important words began with capitals. The effect of a page of her more recent manuscript is exceedingly quaint and strong. The fac-simile given in the present volume is from one of the earlier transition periods. Although there is nowhere a date, the handwriting makes it possible to arrange the poems with general chronologic accuracy.
As a rule, the verses were without titles ”

“ Every subject was proper ground for legitimate study, even the sombre facts of death and burial, and the unknown life beyond. She touches these themes sometimes lightly, sometimes almost humorously, more often with weird and peculiar power ”

“ HELEN JACKSON. The "portfolios" were found, shortly after Emily Dickinson's death, by her sister and only surviving housemate. Most of the poems had been carefully copied on sheets of note-paper, and tied in little fascicules, each of six or eight sheets. While many of them bear evidence of having been thrown off at white heat, still more had received thoughtful revision. There is the frequent addition of rather perplexing foot-notes, affording large choice of words and phrases. ”