Summary

Portrait of Ernest Bramah Ernest Bramah Max Carrados — The Coin of Dionysius (1914)

An undefined mistrust of his own powers suddenly possessed him in the presence of this mystery. “How do you come to know of Nina Brun and Lord Seastoke?”
“You are a detective, Louis,” replied Carrados. “How does one know these things? By using one’s eyes and putting two and two together.”
Carlyle groaned and flung out an arm petulantly.
“Is it all bunkum, Max? Do you really see all the time—though that doesn’t go very far towards explaining it.”
“Like Vidal, I see very well—at close quarters,” replied Carrados, lightly running a forefinger along the inscription on the tetradrachm.
Source: Wikisource

Portrait of Ernest Bramah Ernest Bramah Max Carrados — The Coin of Dionysius (1914)

A new world to explore, new experiences, new powers awakening; strange new perceptions; life in the fourth dimension. But why do you beg my pardon, Louis?”
“I am an ex-solicitor, struck off in connexion with the falsifying of a trust account, Mr Carrados,” replied Carlyle, rising.
“Sit down, Louis,” said Carrados suavely. His face, even his incredibly living eyes, beamed placid good-nature. “The chair on which you will sit, the roof above you, all the comfortable surroundings to which you have so amiably alluded, are the direct result of falsifying a trust account.
Source: Wikisource

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