Ernest Bramah,
Max Carrados — The Last Exploit of Harry the Actor
(1914)
“ Let us consider fraud. There again the precautions are so rigid that many people pronounce the forms a nuisance. I confess that I do not. I regard them as a means of protecting my own property and I cheerfully sign my name and give my password, which the manager compares with his record-book before he releases the first lock of my safe. The signature is burned before my eyes in a sort of crucible there, the password is of my own choosing and is written only in a book that no one but the manager ever sees, and my key is the sole one in existence. ”
