Summary

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XV … (1912)

But after a time, when Esther made him a little bed on one of the seats and tried to lay him down upon it, a sense of his grievances came over him.
He had a swinging cot at home; with little gold bars at the foot to blink at—he could not see why he should be mulcted of it, and made to put up with a rug three times doubled. He was accustomed, too, to a shaded light, a quiet room, and a warning H'sh! h'sh! whenever people forgot themselves sufficiently to make the slightest noise.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XV … (1912)

Up burst the sun, and the world grew soft and rosy like a baby waked from sleep. Then the grey gathered again, the pink, quivering lights faded out, and the rain came down—torrents of it, beating against the shaking window-glass, whirled wildly ahead by a rough morning wind, flying down from the mountains. Such a crushed, dull-eyed, subdued-looking eight they were as they tumbled out on the Curlewis platform when five o'clock came. Judy coughed at the wet, early, air, and was hurried into the waiting-room and wrapped in a rug.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XV … (1912)

Esther and Meg sang lullabies till their tongues ached, Judy tried walking him up and down the narrow space, but he stiffened himself in her arms, and she was not strong enough to hold him. Finally he dropped off into an exhausted sleep, drawing deep, sobbing breaths and little hiccoughs of sorrow.
Then Bunty was discovered asleep on the floor with his head under a seat, and had to be lifted into an easier position; and Baby, bolt upright in a corner, was nodding like a little pink-and-white daisy the sun has been too much for.
One by one the long hours dragged away
Source: Wikisource

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