Jean Toomer

Jean Toomer

Summary

Portrait of Jean Toomer Jean Toomer,  Cane — Esther (1923)

“ He is as rich as anyone. Esther suddenly is animate. She goes to her door. She sees him at a distance, the center of a group of credulous men. She hears the deep-bass rumble of his talk. The sun swings low. McGregor’s windows are aflame again. Pale flame. A sharply dressed white girl passes by. For a moment Esther wishes that she might be like her. Not white; she has no need for being that. But sharp, sporty, with get-up about her. Barlo is connected with that wish. She mustnt wish. Wishes only make you restless. Emptiness is a thing that grows by being moved. ”
Source: Wikisource

Portrait of Jean Toomer Jean Toomer,  Cane — Esther (1923)

“ Barlo pauses. Old gray mothers are in tears. Fragments of melodies are being hummed. White folks are touched and curiously awed. Off to themselves, white and black preachers confer as to how best to rid themselves of the vagrant, usurping fellow. Barlo looks as though he is struggling to continue. People are hushed. ”
Source: Wikisource

Portrait of Jean Toomer Jean Toomer,  Cane — Esther (1923)

“ Ghosts of the commonplaces of her daily life take stride with her and become her companions. And the echoes of her heels upon the flagging are rhythmically monotonous and soothing. Crossing the street at the corner of McGregor’s notion shop, she thinks that the windows are a dull flame. Only a fancy. She walks faster. Then runs. A turn into a side street brings her abruptly to Nat Bowle’s place. The house is squat and dark. It is always dark. Barlo is within. ”
Source: Wikisource

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