Jean Toomer

Jean Toomer

Summary

Portrait of Jean Toomer Jean Toomer Cane — Blood-Burning Moon (1923)

UP from the skeleton stone walls, up from the rotting floor boards and the solid hand-hewn beams of oak of the pre-war cotton factory, dusk came. Up from the dusk the full moon came. Glowing like a fired pine-knot, it illumined the great door and soft showered the Negro shanties aligned along the single street of factory town. The full moon in the great door was an omen. Negro women improvised songs against its spell.
Louisa sang as she came over the crest of the hill from the white folks’ kitchen. Her skin was the color of oak leaves on young trees in fall.
Source: Wikisource

Portrait of Jean Toomer Jean Toomer Cane — Blood-Burning Moon (1923)

Old David Georgia tended his stove and told tales about the white folks, about moon-shining and cotton picking, and about sweet nigger gals, to the men who sat there about his stove to listen to him. Tom Burwell chewed cane-stalk and laughed with the others till someone mentioned Louisa. Till some one said something about Louisa and Bob Stone, about the silk stockings she must have gotten from him. Blood ran up Tom’s neck hotter than the glow that flooded from the stove. He sprang up.
Source: Wikisource

Portrait of Jean Toomer Jean Toomer Cane — Blood-Burning Moon (1923)

A large pile of cane-stalks lay like ribboned shadows upon the ground. A mule, harnessed to a pole, trudged lazily round and round the pivot of the grinder. Beneath a swaying oil lamp, a Negro alternately whipped out at the mule, and fed cane-stalks to the grinder. A fat boy waddled pails of fresh ground juice between the grinder and the boiling stove. Steam came from the copper boiling pan. The scent of cane came from the copper pan and drenched the forest and the hill that sloped to factory town, beneath its fragrance. It drenched the men in circle seated around the stove.
Source: Wikisource

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