Summary

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XXI … (1912)

Baby had fallen to sleep on the floor, her arms clasped tightly around Judy's lace-up boot.
Bunty was standing, with a stunned look on his white face, behind the stretcher. His eyes were on his sister's hair, but he did not dare to let there wander to her face, for fear of what he should see there. Nellie was moving all the time—now to the fence to strain her eyes down the road, where the evening shadows lay heavily, now to fling herself face downward behind the hut and say, "Make her better, God! God, make her better, make her better! Oh! can't You make her better?"
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XXI … (1912)

Meg shivered, and sat up straight. Judy's brow grew damp, her eyes dilated, her lips trembled.
"Meg!" she said, in a whisper that cut the air; "oh, Meg, I'm frightened! Meg, I'm so frightened!"
"God!" said Meg's heart.
"Meg, say something. Meg, help me! Look at the dark, Meg. Meg, I can't die! Oh! why don't they be quick?"
Nellie flew to the fence again; then to say, "Make her better, God—oh, please, God!"
"Meg, I can't think of anything to say. Can't you say something, Meg? Aren't there any prayers about the dying in the Prayer Book?—I forget. Say something, Meg!"
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XXI … (1912)

Down at the foot of the grass hill there was a flame-coloured sky, with purple, soft clouds massed in banks high up where the dying glory met the paling blue. The belt of trees had grown black, and stretched sombre, motionless arms against the orange background. All the wind had died, and the air hung hot and still, freighted with the strange silence of the bush.
Source: Wikisource

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