Faith Bickford, Daddy Joe's fiddle (1903)
“ When this was done, she stood a moment in meditation, the violin already under her chin, lightly tapping one foot with the bow.It was a queer place in which to make one’s début,—that dusty corner of the old loft. The tin lamp on a box lighted up the beams hung with long drooping garlands of cobwebs. Not within reach of the lamplight, or the pale moonshine coming through the curtainless windows, huge black [72] shadows gathered around. But the weirdness of the aspect did not impress Chee; for her a more familiar spot could not have been chosen. ”
