Faith Bickford

Summary

Faith Bickford Daddy Joe's fiddle (1903)

When this was done, she stood a moment in meditation, the violin already under her chin, lightly tapping one foot with the bow.
It was a queer place in which to make one’s début,—that dusty corner of the old loft. The tin lamp on a box lighted up the beams hung with long drooping garlands of cobwebs. Not within reach of the lamplight, or the pale moonshine coming through the curtainless windows, huge black [72] shadows gathered around. But the weirdness of the aspect did not impress Chee; for her a more familiar spot could not have been chosen.
Source: Gutenberg

Faith Bickford Daddy Joe's fiddle (1903)

One night the horrible sounds were more than she could bear. With a shiver, she put away the naughty fiddle. Baffled and broken-hearted, she crept down to her room. “What shall I do? Oh, what shall I do?”
Worn out, she threw herself on the floor, and did something very unusual for Chee—she began to cry. “Nobody can help me. I’m all ’lone. Nobody’s here ’cept Our Father, I s’pose He’s here, ’cause He’s always everywhere; but I don’t feel Him very much anywhere. Any way, He wouldn’t make music for me.
Source: Gutenberg

Faith Bickford Daddy Joe's fiddle (1903)

No, the girl could not understand Chee’s strange, almost unreasonable pleasure, but to see the little one so happy could but lighten her own heart.
Many a long talk had they together in that little grove, and during their rambles over the farm. At times Chee would be tempted to unburden her heart of its secret, but, young as she was, she knew Cousin Gertrude had a secret, too; for often when they were talking of the happiest things, the sparkle would die out of the big blue eyes that Chee so lovingly watched.
“Cousin Gertrude has forgotten all about her Nut-Brown Maiden,” she would think.
Source: Gutenberg

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