Frances Hodgson Burnett

Frances Hodgson Burnett

Summary

Portrait of Frances Hodgson Burnett Frances Hodgson Burnett Esmeralda

But she was always pale and out of spirits. She would sit before our fire silent and abstracted.
“You must not mind if I don't talk,” she would say. “I can't; and it seems to help me to get to sit and think about things—Mother won't let me do it down-stairs.”
We became also familiar with the father. One day I met him upon the staircase, and to my amazement he stopped as if he wished to address me. I raised my hat and bade him good-morning. On his part he drew forth a large handkerchief and began to rub the palms of his hands with awkward timidity.
Source: Gutenberg

Portrait of Frances Hodgson Burnett Frances Hodgson Burnett Esmeralda

To begin, I am a Frenchman, a teacher of languages, and a poor man,—necessarily a poor man, as the great world would say, or I should not be a teacher of languages, and my wife a copyist of great pictures, selling her copies at small prices. In our own eyes, it is true, we are not so poor—my Clélie and I. Looking back upon our past we congratulate ourselves upon our prosperous condition. There was a time when we were poorer than we are now, and were not together, and were, moreover, in London instead of in Paris.
Source: Gutenberg

Portrait of Frances Hodgson Burnett Frances Hodgson Burnett Esmeralda

Physically he was a person to admire. In health his muscular power must have been immense. He possessed the frame of a young giant, and yet there was in his face a look of innocence and inexperience amazing even when one recollected his youth.
“It is the look,” said Clélie, regarding him attentively,—“the look one sees in the faces of Monsieur and his daughter down-stairs; the look of a person who has lived a simple life, and who knows absolutely nothing of the world.”
Source: Gutenberg

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