Summary

Portrait of Francesca Alexander Francesca Alexander The story of Ida: epitaph on an Etrurian tomb (1899)

Poor Giulia suffered more, I think, than her sister. She was now herself engaged to be married, and should naturally have been saving a little money for her wedding outfit. But of this she thought nothing; there was no room in her heart now for anything but Ida. All that she could save she spent daily in an attempt, nearly vain, to buy something that her sister could eat, and then she would come to my room, crying bitterly, to tell me of her failures and of Ida’s constantly progressing illness.
Source: Gutenberg

Portrait of Francesca Alexander Francesca Alexander The story of Ida: epitaph on an Etrurian tomb (1899)

One of the prettiest pictures that I have in my mind of Ida, is as she sat upright in her bed, propped up with pillows, her face all beaming with affectionate interest, and did her last dress-making work on Giulia’s wedding gown. She was very close to Heaven then, lying, [Pg 53] as it were, at the gate of the Celestial City, and at times it seemed as if the light already began to shine on her face. Still, as long as she stayed in the world, she did what she could, and as well as she could, for those about her, and could put her heart into the smallest trifle for any one whom she loved.
Source: Gutenberg

Portrait of Francesca Alexander Francesca Alexander The story of Ida: epitaph on an Etrurian tomb (1899)

So Ida went to the Marine Hospital for a month, and won the hearts of the sisters of charity by her beauty, her patience, and her self-forgetfulness. She always waited on herself, being careful to give no one trouble; and when the doctor ordered her to use some particular herb which grew wild at Viareggio, she went out every morning to search for it, gathered, and prepared it herself.
Source: Gutenberg

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