Francis Colburn Adams

Summary

Francis Colburn Adams An Outcast; or, virtue and faith… (1861)

The gas sheds a pale light over the streets, and shadowy figures pass and repass us as we turn into the narrow street leading to the house of the old hostess. We have reached the great arched door, and stand in the shadow of a gas-light, playing over its trap, its network of iron, and its bright, silver plate. We pause and contemplate the massive walls, as the thought flashes upon us—How mighty is vice, that it has got such a mansion dedicated to its uses!
Source: Wikisource

Francis Colburn Adams An Outcast; or, virtue and faith… (1861)

Pictures no artist need be ashamed of decorate the walls, groups in bronze and Parian, stand on pedestals between the windows, and there is a regal air about the furniture, which is of the most elaborate workmanship. But the living figures moving to and fro, some in uncouth dresses and some scarce dressed at all, and all reflected in the great mirrors, excite the deepest interest. Truly it is here that vice has arrayed itself in fascinating splendors, and the young and the old have met to pay it tribute. The reckless youth meets the man high in power here.
Source: Wikisource

Francis Colburn Adams An Outcast; or, virtue and faith… (1861)

On turning into King street they encounter a small, youthful looking man, hatless and coatless, his figure clearly defined in the shadows of the gas-light, engaged in a desperate combat with the lamp-post. "Now, Sir, defend yourself, and do it like a man, for you have the reputation of being a craven coward," says the man, cutting and thrusting furiously at the lamp-post; Snivel and Sleepyhorn pause, and look on astonished.
Source: Wikisource

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