Frank R. Stockton

Frank R. Stockton

Summary

Portrait of Frank R. Stockton Frank R. Stockton The young master of Hyson Hall (1882)

It seems like turning things upside down for the man to run away and the boy to stay at home; but running away comes much more naturally to me than I hope it ever will to you, my very dear Philip. When about your age I began life by running away from home, and I have been doing the same thing at intervals ever since. The fact is, Phil, I have been so much of a rover, and a rambling life comes so natural to me, that I cannot any longer endure the monotonous days at Hyson Hall.
Source: Gutenberg

Portrait of Frank R. Stockton Frank R. Stockton The young master of Hyson Hall (1882)

EMILE TOURON.
The carriage which was approaching came slowly, although the driver, a negro boy, continually belabored his horse with a short whip, endeavoring, besides, by a vigorous clicking and jerking of the reins, to make him go faster; but the horse had evidently made up his mind that in regard to this sort of thing a line must be drawn somewhere, and he drew it at a slow trot, as being the fastest pace that should be expected of his old bones and stiff muscles.
“Who in the world can be coming here?” cried Phil, jumping up from his seat. “It can’t be uncle!”
Source: Gutenberg

Portrait of Frank R. Stockton Frank R. Stockton The young master of Hyson Hall (1882)

Putting on his hat, he walked cheerfully down to the stables. For a time, the effect of the French boy’s story and threat had passed from his mind.
As soon as Phil was well out of the house, Emile came cautiously down-stairs. Seizing his hat from the rack, he clapped it on, went out and walked down the shaded roadway.
He was very angry, not only with everybody around him, but with himself. He had suffered himself, in a measure, to be beaten, and had run away.
Nothing could more thoroughly exasperate a person of his nature than to think that he had done a thing like this.
Source: Gutenberg

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