Fritz Leiber

Fritz Leiber

The Hound (1942)

Summary

Portrait of Fritz Leiber Fritz Leiber,  The Hound (1942)

“ David Lashley clenched his hands in his overcoat pockets and asked himself how it was possible for a grown man to be so suddenly overwhelmed by a fear from childhood. Yet in the same instant he knew with terrible certainty that this was no childhood fear, this thing that had pursued him up the years, growing ever more vast and menacing, until, like the demon wolf Fenris at Ragnorak, its gaping jaws scraped heaven and earth, seeking to open wider. ”
Source: Wikisource

Portrait of Fritz Leiber Fritz Leiber,  The Hound (1942)

“ For a moment he saw nothing. Then it emerged from the shadows a block behind him, loping unevenly with long strides that carried it forward with a rush, its matted fur shining oilily under a street lamp. With a croaking sob he turned and ran on.
The thing’s howling seemed suddenly to increase a thousandfold, becoming a pulsating wail, a screaming ululation that seemed to blanket the whole city with sound. And as that demonaic screeching continued, the lights in the houses began to go out one by one.
”
Source: Wikisource

Portrait of Fritz Leiber Fritz Leiber,  The Hound (1942)

“ It hardly seemed to be a reasonable possibility; how could a supernatural entity be tied down to one locality? And yet—He stepped quickly to the window and, after a moment’s hesitation, jerked it up. Sounds which had been temporarily blotted out by his thinking now poured past him in quadrupled volume, mixing together discordantly like instruments tuning up for some titanic symphony—the racking surge of street car and elevated, the coughing of a locomotive in the yards, the hum of tires on asphalt and the growl of engines, the mumbling of radio voices, the faint mournful note of distant horns. ”
Source: Wikisource

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