George A. Birmingham

George A. Birmingham

Summary

Portrait of George A. Birmingham George A. Birmingham Gossamer (Birmingham) — Chapter 8 (1915)

Ascher, “he has had no time. That abundant, restless energy of his is for ever pressing out into fresh activities.”
I gathered, more from her tone than from her actual words that only an effete, devitalised creature would call on me. A man of abundant energy would naturally sit half the day in Mrs. Ascher’s studio, while she made a fancy body for him in damp clay.
She clasped her hands and gazed with rapt intensity at the statue of Gorman’s soul.
Source: Wikisource

Portrait of George A. Birmingham George A. Birmingham Gossamer (Birmingham) — Chapter 8 (1915)

Tim uses the word artist in a simple old-fashioned way, very much as Father Bourke uses “blasphemy.” There is a good deal to be said for their practice. People like Mrs. Ascher ought to invent new terms when they want to express uncommon thoughts. They have no right to borrow words like “artist” and “blasphemy” from common speech in order to set them parading about the world with novel meanings attached to them. It is not fair to people like Tim Gorman and his Father Bourke. It is not fair to the words themselves. I should not like to be treated in that way if I were a word.
Source: Wikisource

Portrait of George A. Birmingham George A. Birmingham Gossamer (Birmingham) — Chapter 8 (1915)

We cannot claim to be civilised until we have some weapon for legitimate self defence attached to every telephone, something which could be operated easily and swiftly by pressing a button at the side of the receiver. It is not necessary that the man at the other end of the wire should be struck dead, but he ought to suffer severe physical pain. If Tim Gorman would turn his inventive genius in that direction, I should not hesitate to advance money to him, even to the half of my possessions.
I called on Mrs. Ascher again before I left New York.
Source: Wikisource

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