Cinematograph

Definition and stakes

Frederick Arthur Ambrose Talbot,  Moving Pictures: How They Are Made and Worked (1914)

“ In this respect the cinematograph producer is far better off than his rival on the real stage. Situations, scenes, and episodes incapable of production by the latter, can be produced very simply on the film. Novels, short stories, plays, the Bible, Greek inscriptions, inventions, little episodes and incidents in everyday life—anything and everything is grist for his mill. Of course, fashions change just as in any other phase of our complex life. ”
Source: Gutenberg

M. Jackson-Wrigley,  The film (1922)

“ Development.
The modern cinematograph was rendered possible by the invention in 1890 of the celluloid roll film, on which serial pictures are [23] impressed by instantaneous photography; a long sensitised film being moved across the focal plane of a camera and exposed intermittently. For an hour’s exhibition 50,000 to 165,000 pictures are needed. To regulate the feed in the lantern a hole is punched in the film for each picture.
”
Source: Gutenberg

Portrait of George A. Birmingham George A. Birmingham,  Gossamer (Birmingham) — Chapter 8 (1915)

“ The word, though common on our side of the Atlantic now, was at that time peculiar to the American language.
“Cinematographs?” I said. “I’ve seen them of course. You have them in your circus, haven’t you, as part of the show?”
“Yes. That’s what set me thinking about them. I’ve always felt that the next step in perfecting the cinematograph would be doing away with the screen, putting the figures on the stage, that is to say reflections of them, so that they would actually move about backwards and forwards instead of on a flat surface. You understand?”
”
Source: Wikisource

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