George Bernard Shaw

George Bernard Shaw

Summary

Portrait of George Bernard Shaw George Bernard Shaw Androcles and the Lion — Afterword (1912)

In short, a Christian martyr was thrown to the lions not because he was a Christian, but because he was a crank: that is, an unusual sort of person. And multitudes of people, quite as civilized and amiable as we, crowded to see the lions eat him just as they now crowd the lion-house in the Zoo at feeding-time, not because they really cared two-pence about Diana or Christ, or could have given you any intelligent or correct account of the things Diana and Christ stood against one another for, but simply because they wanted to see a curious and exciting spectacle.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Androcles and the Lion — Afterword (1912)

And if anyone were to say that you were as cruel as the people who let the lion loose on the man, you would be justly indignant. Now that we may no longer see a man hanged, we assemble outside the jail to see the black flag run up. That is our duller method of enjoying ourselves in the old Roman spirit. And if the Government decided to throw persons of unpopular or eccentric views to the lions in the Albert Hall or the Earl's Court stadium tomorrow, can you doubt that all the seats would be crammed, mostly by people who could not give you the most superficial account of the views in question.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Androcles and the Lion — Afterword (1912)

In this play I have represented one of the Roman persecutions of the early Christians, not as the conflict of a false theology with a true, but as what all such persecutions essentially are: an attempt to suppress a propaganda that seemed to threaten the interests involved in the established law and order, organized and maintained in the name of religion and justice by politicians who are pure opportunist Have-and-Holders.
Source: Wikisource

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