Summary

Portrait of George Eliot George Eliot The Mill on the Floss — Book 1… (1860)

Before this remonstrance was finished, Maggie was already out of hearing, making her way toward the great attic that run under the old high-pitched roof, shaking the water from her black locks as she ran, like a Skye terrier escaped from his bath. This attic was Maggie's favorite retreat on a wet day, when the weather was not too cold; here she fretted out all her ill humors, and talked aloud to the worm-eaten floors and the worm-eaten shelves, and the dark rafters festooned with cobwebs; and here she kept a Fetish which she punished for all her misfortunes.
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 1… (1860)

I love Tom so dearly, Luke,–better than anybody else in the world. When he grows up I shall keep his house, and we shall always live together. I can tell him everything he doesn't know. But I think Tom's clever, for all he doesn't like books; he makes beautiful whipcord and rabbit-pens."
"Ah," said Luke, "but he'll be fine an' vexed, as the rabbits are all dead."
"Dead!" screamed Maggie, jumping up from her sliding seat on the corn. "Oh dear, Luke! What! the lop-eared one, and the spotted doe that Tom spent all his money to buy?"
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 1… (1860)

There are countries full of those creatures, instead of horses and cows, you know. Shouldn't you like to know about them, Luke?"
"Nay, Miss, I'n got to keep count o' the flour an' corn; I can't do wi' knowin' so many things besides my work. That's what brings folks to the gallows,–knowin' everything but what they'n got to get their bread by. An' they're mostly lies, I think, what's printed i' the books: them printed sheets are, anyhow, as the men cry i' the streets."
"Why, you're like my brother Tom, Luke," said Maggie, wishing to turn the conversation agreeably; "Tom's not fond of reading.
Source: Wikisource

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