Summary

Portrait of George Eliot George Eliot The Mill on the Floss — Book 7… (1860)

Give me the oars, Maggie."
It was not till Tom had pushed off and they were on the wide water,–he face to face with Maggie,–that the full meaning of what had happened rushed upon his mind. It came with so overpowering a force,–it was such a new revelation to his spirit, of the depths in life that had lain beyond his vision, which he had fancied so keen and clear,–that he was unable to ask a question. They sat mutely gazing at each other,–Maggie with eyes of intense life looking out from a weary, beaten face; Tom pale, with a certain awe and humiliation.
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 7… (1860)

Who besides me has met that long look of love that has burnt itself into my soul, so that no other image can come there? Maggie, call me back to you! Call me back to life and goodness! I am banished from both now. I have no motives; I am indifferent to everything. Two months have only deepened the certainty that I can never care for life without you. Write me one word; say 'Come!' In two days I should be with you. Maggie, have you forgotten what it was to be together,–to be within reach of a look, to be within hearing of each other's voice?
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 7… (1860)

All were in their beds now, for it was past midnight; all except some solitary watchers such as Maggie. She was seated in her little parlor toward the river, with one candle, that left everything dim in the room except a letter which lay before her on the table. That letter, which had come to her to-day, was one of the causes that had kept her up far on into the night, unconscious how the hours were going, careless of seeking rest, with no image of rest coming across her mind, except of that far, far off rest from which there would be no more waking for her into this struggling earthly life.
Source: Wikisource

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