Summary

George Fuermann Houston: The Feast Years. An Illustrated Essay

Many “think of Houston as a cluster of mud huts around the Shamrock Hotel, in the cellars of which people hide from the sticky climate, emerging at long intervals to scatter $1000 bills to the four winds,” Gerald Ashford wrote in 1951. Such a fancy formed a dominant theme of Houston appraisals during a brief and a bizarre period. The myth that Houston’s population consisted mainly of the rich was absurd, but the millionaire legend, though arresting to the world, was a liability to Houston. For one thing, it obscured the city’s reality, which was itself exceptional enough.
Source: Gutenberg

George Fuermann Houston: The Feast Years. An Illustrated Essay

Houston, Promised Land or New Golconda or whatever writers say of it, is a city of great expectations. Ambitious, confident, it moves swiftly, restlessly. Its profile, a transfiguring skyline moored to the flat Gulf plain, vaguely resembles other modern skylines, but Houston resembles nothing in the world except itself. Ever since World War II the city has beguiled observers, who often approach it with preconception, and often leave it with surprise.
Source: Gutenberg

George Fuermann Houston: The Feast Years. An Illustrated Essay

What is Houston compared with such whole or complete cities as Amsterdam and San Francisco? Only a prophet could say, for this hopelessly vigorous city is incomplete, unfinished; it cannot yet be judged as a whole city. Until then, Houstonians possess the rare excitement of living in a city during the springtime of what may become greatness, a city budding and shooting with the extravagance of nature’s annual renewal, a city in its feast years.
Source: Gutenberg

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