George Gregory Smith

Summary

George Gregory Smith 1911 Encyclopædia Britannica (1911)

Dunbar’s chief allegorical poems are The Goldyn Targe and The Thrissil and the Rois. The motif of the former is the poet’s futile endeavour, in a dream, to ward off the arrows of Dame Beautee by Reason’s “scheld of gold.” When wounded and made prisoner, he discovers the true beauty of the lady: when she leaves him, he is handed over to Heaviness. The noise of the ship’s guns, as the company sails off, wakes the poet to the real pleasures of a May morning. Dunbar works on the same theme in a shorter poem, known as Beauty and the Prisoner.
Source: Wikisource

George Gregory Smith 1911 Encyclopædia Britannica (1911)

This strain runs throughout many of the occasional poems, and is not wanting in odd passages in Dunbar’s contemporaries; and it has the additional interest of showing a direct historical relationship with the work of later Scottish poets, and chiefly with that of Robert Burns. Dunbar’s satire is never the gentle funning of Chaucer: more often it becomes invective.
Source: Wikisource

George Gregory Smith 1911 Encyclopædia Britannica (1910)

Considerable controversy has arisen regarding Barbour’s literary work. If he be the author of the five or six long poems which have been ascribed to him by different writers, he adds to his importance as the father of Scots poetry the reputation of being one of the most voluminous writers in Middle English, certainly the most voluminous of all Scots poets.
(1) The Brus, in twenty books, and running to over 13,500 four-accent lines, in couplets, is a narrative poem with a purpose partly historical, partly patriotic.
Source: Wikisource

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