Chaucer

“ But if Chaucer is ill at ease within four walls, and takes but scant pleasure in looking at tapestries and pictures, the moment he slips out of doors he becomes a different being. He is no Wordsworth noting each twig and leaf, or watching with mystic gaze the shadows fall on the silent hills. ”

“ Chaucer was our first great master of laughter and of tears. His serious poetry is full of the tenderest pathos. His loosest tales are delightfully humorous and life-like. He is the kindliest of satirists. The knavery, greed, and hypocrisy of the begging friars and the sellers of indulgences are exposed by him as pitilessly as by Langland and Wiclif, though his mood is not, like theirs, one of stern, moral indignation, but rather the good-natured scorn of a man of the world. His charity is broad enough to cover even the corrupt sompnour, of whom he says,
And yet in sooth he was a good felawe. ”

“ Her dignified reserve, her natural anxiety to set off a fine person with more elaboration of costume than the strict Rule permitted, her French of Stratford attë Bowe, her tenderness to lapdogs and even to marauding mice, her faultless refinement of behaviour under the ticklish conditions of a 14th-century dinner-table—all these pardonable luxuries of a fastidious nature are described with Chaucer’s most delicate irony, and stand in artistic contrast to the grosser indiscipline of the Monk. ”

“ Nothing could be simpler, and nothing could be more delightful than the Black Knight's description of his lost lady as she was at the time when he wooed and almost despaired of winning her. Many of the touches in this description—and among them some of the very happiest—are, it is true, borrowed from the courtly Machault; but nowhere has Chaucer been happier, both in his appropriations and in the way in which he has really converted them into beauties of his own, than in this, perhaps the most lifelike picture of maidenhood in the whole range of our literature. ”

“ Like Shakspeare, Chaucer portrays men in a spirit of humanity. He paints his fellows; and, if he is amused with our follies, he prefers showing the fairer side of our nature. Even the merry, warm-blooded Wife of Bath, with her five wedded husbands, earns some goodwill of us by her joyous and invincible spirit. Imagine the daring, the vigour, and the stirring wit of the west-country cloth-manufacturess, who cannot rest easy till she has been three times in pilgrimage to Jerusalem! ”

“ When we read Chaucer we are transported into a world in which the heavenly bodies and their movements seem to bear a more intimate relation to human life than they do in the world in which we live. The thought of the revolving spheres carrying sun, moon, and planets, regulating light and heat on the earth, and exercising a mysterious influence over terrestrial events and human destiny was a sublime conception and one that naturally appealed to the imagination of a poet. ”

“ Doubtless Chaucer was a man of practical good sense, desirous of suitable employment and of a sufficient income; nor can we suppose him to have been one of those who look upon social life and its enjoyments with a jaundiced eye, or who, absorbed in things which are not of this world, avert their gaze from it altogether. ”

“ The charm of this poem, notwithstanding all the artificialities with which it is overlaid, lies in its simplicity and truth to nature. A real human being is here brought before us instead of a vague abstraction; and the glow of life is on the page, though it has to tell of death and mourning. Chaucer is finding his strength by dipping into the true spring of poetic inspiration; and in his dreams he is awaking to the real capabilities of his genius. ”

“ In Chaucer’s life, as in the “Seven Ages of Man,” the soldier follows hard upon the lover; he is scarcely out of his ’teens before we find him riding to the Great War, “in hope to stonden in his lady grace.” He fought in that strange campaign of 1359-60, which began with such magnificent preparations, but ended so ineffectually. Edward marched across France from Calais to Reims with a splendid army and an unheard-of baggage train; but the towns closed their gates, the French armies hovered out of his reach, and the weather was such that horses and men died like flies. ”

“ The thrill of the Renaissance has not yet swept across Europe. The gods still sleep, before awakening to their strange sweet Indian summer of life. Classical mythology serves Chaucer as an additional storehouse of story and illustration, but it no more intoxicates him with rapture than does the Gesta Romanorum. ”

“ When the priest threatened him in advanced life with the displeasure of Heaven, he was shocked and alarmed, and obliged to go to Petrarch for comfort.
Chaucer was a courtier, and a companion of princes; nay, a reformer also, and a stirrer out in the world. He understood that world, too, thoroughly, in the ordinary sense of such understanding; yet, as he was a true great poet in everything, so in nothing more was he so than in loving the country, and the trees and fields. It is as hard to get him out of a grove as his friend Boccaccio ”

“ This is the charming poem called the "Assembly of Fowls," or "Parliament of Birds"—a production which seems so English, so fresh from nature's own inspiration, so instinct with the gaiety of Chaucer's own heart, that one is apt to overlook in it the undeniable vestiges of foreign influences, both French and Italian. At its close the poet confesses that he is always reading, and therefore hopes that he may at last read something "so to fare the better." ”

“ Yet humour and irony are not his only excellences, for those who study Chaucer know that this great poet has thoughts that dissolve in tenderness; no one has more skilfully touched the more hidden springs of the heart.
The Herculean labour of Chaucer was the creation of a new style. In this he was as fortunate as he was likewise unhappy. He mingled with the native rudeness of our English words of Provençal fancy, and some of French and of Latin growth. He banished the superannuated and the uncouth, and softened the churlish nature of our hard Anglo-Saxon ”

“ But, besides, Chaucer was a poet of the highest genius, and the beauties of his verse are marvellous considering the rough and troubled times in which he wrote. Most of the earlier writers had been clerics, and none approached the grace of Chaucer, a layman. But, what is perhaps more wonderful still, he had no followers, certainly none for more than a century after his death, who came near him in beauty of language or of thought. ”

“ Thus, then, Chaucer was a born dramatist; but fate willed it, that the branch of our literature which might probably have of all been the best suited to his genius was not to spring into life till he and several generations after him had passed away. To be sure, during the fourteenth century, the so-called miracle-plays flourished abundantly in England, and were, as there is every reason to believe, already largely performed by the trading-companies of London and the towns. The allusions in Chaucer to these beginnings of our English drama are, however, remarkably scanty. ”

“ CHAPTER I ENGLAND IN EMBRYO
Few men could lay better claim than Chaucer to this happy accident of birth with which Matthew Arnold endows his Scholar Gipsy, if we refrain from pressing too literally the poet’s fancy of a Golden Age. Chaucer’s times seemed sordid enough to many good and great men who lived in them; but few ages of the world have been better suited to nourish such a genius, or can afford a more delightful travelling-ground for us of the 20th century. ”

“ But it is not only in a love of birds, which, after all, is common to most poets, that Chaucer shows this side of his nature. Reference has already been made to the whelp and the squirrels which he introduces into the Book of the Duchesse. The little coneys who hasten to their play in the garden of the Parlement of Foules are due in the first place to Boccaccio, but the Italian merely tells us that they “go hither and thither.” His picture is dainty and pretty, but it lacks the half-amused tenderness of Chaucer’s. ”

“ And if Douglas thus outranges even Dante, he leaves Chaucer and Boccaccio far behind. The freshness and variety of the sunrises in the “Decameron” is equalled only by the bald brevity with which the author despatches eventide, which he connects mainly with supper, a little dancing or music, and bed. It would be equally impossible, I believe, to find a real sunset in Chaucer; Criseyde’s “Ywis, it will be night as fast,” is quite a characteristic epitaph for the dying day. ”

“ That's much more fun to talk about than Chaucer. I'm glad I didn't live in his day. Imagine being praised for not putting your fingers in the gravy and spotting up your shirt front! I wager that old Prioress was a stick. I shouldn't want her on our basket ball team. There isn't a sensible woman in the whole of Chaucer so far as I can see. (the curtain at the front of the bookcase begins to shake slightly, becoming more violent as the Junior continues) The Wife of Bath was a regular Mormon, five husbands, that's what she had, and she wore red stockings. ”

“ To the earlier at least of these growths Chaucer may be said to have pointed the way. His personages, more especially of course, as has been seen, those who are assembled together in the "Prologue" to the "Canterbury Tales," are not mere phantasms of the brain, or even mere actual possibilities, but real human beings, and types true to the likeness of whole classes of men and women, or to the mould in which all human nature is cast. This is upon the whole the most wonderful, as it is perhaps the most generally recognised of Chaucer's gifts. ”

“ I take unceasing delight in Chaucer. His manly cheerfulness is especially delicious to me in my old age. [1] How exquisitely tender he is, and yet how perfectly free from the least touch of sickly melancholy or morbid drooping! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakspeare and Chaucer; but what the first effects by a strong act of imagination and mental metamorphosis, the last does without any effort, merely by the inborn kindly joyousness of his nature. How well we seem to know Chaucer! How absolutely nothing do we know of Shakspeare! ”

“ The Scottish Chaucerians are of far more intrinsic importance. The love-allegory of the Kingis Quair shows the influence of [Pg 237] Chaucer not only in its use of the Chaucerian stanza—henceforth to be known as the rhyme royal—but in the evidence it affords of its author’s acquaintance with the English version of the Romance of the Rose. Moreover, in it may be noticed that sympathy with the freshness and joy of nature which forms so strong a bond between Chaucer and his Scottish disciples, and is so conspicuous by its absence in the work of the English Chaucerians. ”

“ Concerning the doings of Chaucer in the interval between his liberation from his French captivity and the first notice of him as Valet of the King's Chamber we know nothing at all. During these years, however, no less important a personal event than his marriage was by earlier biographers supposed to have occurred. On the other hand, according to the view which commends itself to several eminent living commentators of the poet, it was not courtship and marriage, but a hopeless and unrequited passion, which absorbed these years of his life. ”

“ Chaucer is himself the great poetical observer of men, who in every age is born to record and eternize its acts. This he does as a master, as a father and superior, who looks down on their little follies from the Emperor to the Miller: sometimes with severity, oftener with joke and sport.
Accordingly Chaucer has made his Monk a great tragedian, one who studied poetical art. So much so that the generous Knight is, in the compassionate dictates of his soul, compelled to cry out ”

“ And straight would recollect his piety anew.
But Chaucer's friar is a wanton and merry scoundrel, taking every license, kissing the wives and talking love-talk to the girls in his wanderings, as he begs for his Church and his order. His hood is stuffed with trinkets to give them; he is worthily known as the best beggar of his house; his eyes alight with wine, he strikes his little harp, trolls out funny songs and love-ditties. Anon, his frolic over, he preaches to the collected crowd violent denunciations of the parish priest, within the very limits of his parish. ”

“ And the angelic Seniors? They never talk, do they. Thank Goodness, we're not like that old patient Griselda in Chaucer. She was afraid to open her head.
Freshman. I think you know a lot about Chaucer. I never will remember all those names.
Junior. Oh, there are a lot more of them. One was a silly girl named Emily. She didn't do anything but have "hair a yard long I guess" and for that she had two lovers. I am going to get a hair tonic. That's how silly men were in Chaucer's day, before they learned how to play football, or had fraternities. ”

“ And having made their acquaintance, Chaucer begins to describe them all so that we may know them too. He describes them so well that he makes them all living to us. Some we grow to love; some we smile upon and have a kindly feeling for, for although they are not fine folk, they are so very human we cannot help but like them; and some we do not like at all, for they are rude and rough, as the poet meant them to be.
Chapter XXIV CHAUCER—AT THE TABARD INN CHAUCER begins his description of the people who were gathered at the Tabard Inn with the knight, who was the highest in rank among them. ”

“ Chaucer's influence wrought more fruitfully in Scotland, whither it was carried by James I., who had been captured by the English when a boy of eleven, and brought up at Windsor as a prisoner of state. There he wrote during the reign of Henry V. (1413-1422) a poem in six cantos, entitled the King's Quhair (King's Book) , in Chaucer's seven-lined stanza, which had been employed by Lydgate in his Falls of Princes (from Boccaccio) , and which was afterward called the "rime royal," from its use by King James. ”