Summary

Portrait of Horace G. Hutchinson Horace G. Hutchinson The greatest story in the world…

But it is in Italy only that we can say that the Renaissance has arrived—in that land where the great painters have been at work, where Dante has sung his divine comedy, where Petrarch has written his sonnets, and where the despots of the cities have employed artists and architects to adorn the little States over which they tyrannised. Moreover, through nearly all Europe, and even in the gloom of the Dark Ages itself, there has been the most wonderful building of churches and cathedrals, of abbeys and ecclesiastical edifices, here and there of kings' palaces and of buildings for public use.
Source: Gutenberg

Portrait of Horace G. Hutchinson Horace G. Hutchinson The greatest story in the world…

It seems as if there must have been some such power, for how else can we account for the fact that the society of the world did not fall all to pieces? And we know, as a fact, that there was such a power, penetrating everywhere: it was power emanating, as at the time of the Roman Empire, from Rome itself. But now it was not the power of a government with strong military forces, splendidly organised. It was the power of the Christian Church, of which Rome, with its bishop who was called the Pope, was the centre and headquarters for all the Western world.
Source: Gutenberg

Portrait of Horace G. Hutchinson Horace G. Hutchinson The greatest story in the world…

And yet, remember this, even a king could not make war without money, to pay and feed his troops and to get munitions of war and horses and so on. The kings of England often found themselves in want of money for their wars. They tried once or twice to impose, of their own authority, a tax—over and above the taxes which had grown out of ancient usage and were recognised as the king's right—to pay these expenses, but the people and the barons always proved too strong for the king when he attempted these exactions.
Source: Gutenberg

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