Ierne L. Plunket

Summary

Ierne L. Plunket Europe in the Middle Ages

This weight of tradition leads naturally to the third great change heralded by the Renaissance—the breaking-up of a sky curtained in mental darkness into separate groups of clouds, still heavily charged with superstition and ignorance, but their density relieved by the light of a genuine inquiry after truth for its own sake. During the Middle Ages we have seen that men and women looked back for inspiration to the Roman Empire, and this made them distrust progress, just as a timid rider will dread a spirited horse because he fears to lose control and to be carried into unknown ways.
Source: Gutenberg

Ierne L. Plunket Europe in the Middle Ages

The limits of space dictated that many things in life must be shared in common, whether religious processions or plagues, and if street fighting flourished in consequence so also did class intimacy and a sharpening of wits as well as of swords. Thus the towns of North Italy, like flowers in a hot-house, bore fruits of civilization in advance of the world outside, whether in commerce, painting, or the art of self-government; and visitors from beyond the Alps stared astonished at merchants’ luxurious palaces that made the castles of their own princes seem mere barbarian strongholds.
Source: Gutenberg

Ierne L. Plunket Europe in the Middle Ages

The huge amphitheatres of Rome and her provinces were built to satisfy the public desire for pageantry and sport; and, because life was held cheap, and for all his boasted civilization the Roman was often a savage at heart, he would spend his holidays watching the despised sect of Christians thrown to the lions, or hired gladiators fall in mortal struggle. ‘We, about to die, salute thee.’ With these words the victims of an emperor’s lust of bloodshed bent the knee before the imperial throne, and at Caesar’s nod passed to slay or be slain.
Source: Gutenberg

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