Gerharda Hermina Marius, Dutch Art in the Nineteenth Century… (1908)
“ Not his manner of reproducing textures, nor his composition (and herein lies his chief force) , nor his workmanship, nor his colouring, nor even his modelling or drawing is Dutch or ever has been Dutch. His art has always been decorative, even as our seventeenth-century art and that of the nineteenth-century Hague painters are, in their essence, concentrated. He has never been anything of a tonalist, not even in the more pictorial sketch of Willem van Saeftinghen, which, after the manner of the great Leys, has something rather of the hot colouring of burnt glass. ”
