Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Flying Inn — Chapter XVII (1914)

Then it was that Joan had been brought out of the turret and saw Philip standing, sustained upon a crutch of garden timber; and admired him as she had never admired him before. While he was being helped downstairs, while he was being propped in the car with such limited comfort as was possible, she did really feel in him something worthy of his ancient roots, worthy of such hills and of such a sea. For she felt God's wind from nowhere which is called the Will; and is man's only excuse upon this earth.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Flying Inn — Chapter XVII (1914)

Philip Ivywood raised himself on his crutch and stood for a moment looking at the sleeping man. Then he and his crutch trailed out of the long room, leaving the sleeping man behind. Nor was that the only thing that he left behind. He also left behind an unlighted cigarette and his honour and all the England of his father's; everything that could really distinguish that high house beside the river from any tavern for the hocussing of sailors. He went upstairs and did his business in twenty minutes in the only speech he had ever delivered without any trace of eloquence.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Flying Inn — Chapter XVII (1914)

The Poet in Parliament DURING the singular entrance and exit of Dorian Wimpole, M.P., J.P., etc., Lady Joan was looking out of the magic casements of that turret room which was now literally, and not only poetically, the last limit of Ivywood House. The old broken hole and black staircase up which the lost dog Quoodle used to come and go, had long ago been sealed up and cemented with a wall of exquisite Eastern workmanship. All through the patterns Lord Ivywood had preserved and repeated the principle that no animal shape must appear.
Source: Wikisource

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