Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Superstition of Divorce — Conclusion (1920)

But the fallacy I mean is that of a man who is not even content to love everybody, but really wishes to be everybody. He wishes to walk down a hundred roads at once; to sleep in a hundred houses at once; to live a hundred lives at once. To do something like this in the imagination is one of the occasional visions of art and poetry, to attempt it in the art of life is not only anarchy but inaction. Even in the arts it can only be the first hint and not the final fulfillment; a man cannot work at once in bronze and marble, or play the organ and the violin at the same time.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Superstition of Divorce — Conclusion (1920)

I believe that behind the art and philosophy of our time there is a considerable element of this bottomless ambition and this unnatural hunger; and since in these last words I am touching only lightly on things that would need much larger treatment, I will admit that the rending of the ancient roof of man is probably only a part of such an endless and empty expansion.
Source: Wikisource

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