Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

In this particular work the genius of Palma produced so admirable an effect, that the result was a performance of astonishing perfection and singular beauty, as all agree in affirming, this picture being presented to public view almost every year at the Festival of the Ascension. Nor is it without reason that the work is thus praised and celebrated, seeing that whether we consider the design, art, colouring, or, in short, the whole and every part, all is perfection, surpassing any work whatever that had been executed by any Venetian painter up to that time.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

THE VENETIAN PAINTER JACOPO PALMA; LORENZO LOTTO, AND OTHERS.
[Latter part of the 15th, and first half of the 16th century.]
So powerful is the effect of excellence in art, even though displayed in one sole work, or in two only, or however few these may be, that if they be perfect in their kind, artists and judges are compelled to extol them, while writers are in like manner constrained to celebrate their praises, and to exalt the master who has produced them.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

For the church of San Domenico, Rondinello painted two pictures; one is to the left of the high altar, and exhibits Our Ladj, with numerous figures; the other is on a fa9ade of the church, and is very beautiful. In the church of San Niccolo, a monastery of the Augustinian Monks, this master painted a picture, with San Lorenzo and San Francesco, a work which was most highly commended, insomuch that it caused Rondinello to be held in the utmost esteem for the remainder of his life, not in Ravenna only but in ail Romagna.
Source: Wikisource

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